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Recording a live concert is both an art-form and a highly technical activity.
However no amount of artistry will compensate for inadequate equipment.
Similarly, high priced equipment will not compensate for poor recording
technique. A successful recording is a blend of artistry and technical
mastery. This is a list of the equipment that we are willing to take into
the field.
- Digital Recording equipment
| Alesis HD 24 |
24 channel digital recorder. Records 24 bits
per sample and either 44,100 or 48,000 samples per second |
| Alesis ML-9600 |
2 channel digital recorder and CD burner. Records 24 bits
per sample and between 44,100 and 96,000 samples per second |
Microphone Pre-Amplifiers
| PreSonus MP20 (Solid State With a FET IDSS control) |
| Art Digital MPA (Tube with both analog and digital output) |
Mixers
| Alesis Multimix 12 R |
| Mackie 1642-VLZ Pro |
| Behringer UB1204FX-PRO |
Microphones
| Shure KSM 32 |
Large Diaphragm Condenser |
| Rhodes NT-1A |
Large Diaphragm Condenser |
| Behringer B-1 |
Large Diaphragm Condenser |
| Behringer B-5 |
Small Diaphragm Condenser |
| Nady CM-100 |
Condenser Measurement Microphone |
| Shure SM57 |
Dynamic Instrument Microphone |
| Shure SM58 |
Dynamic Vocal Microphones |
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Other equipment
| Samson S com pro |
Stereo Compressor/Limiter, expander/Gate, De Esser, Peak
Limiter |
| Samson S com pro |
Stereo Compressor/Limiter, expander/Gate, Spectra and Variable
Enhanser |
| Behringer DEQ 2496 |
Stereo Digital Equalizer (24 bit 9600 KHz) |
| Behringer Ultra DI-Pro DI-4000 |
4 Channel Direct Injection |
| UPS Power supply |
Protects against Short power outages |
| Other |
cables, microphone stands, booms, etc. |
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